What's Happening with the Diversity Mural in Orlando?!

If you aren't following the Diversity Mural project in Orlando on the facebook page, you might wonder what has been happening. So much! So much has been happening!

A great article was printed in the Orlando Sentinel

Cherie Bosela, the owner of Luna Mosaic Arts in Orlando, is now working full steam to prep the hearts for installation, which is a huge undertaking because there are over 700! And they are still coming in from all over the world! Volunteers have been gathering at Luna Mosaic Arts to help with pre-grouting, which will make installation much easier.

Volunteers grouting yellow hearts

Laticrete, a company that specializes in top-of-the-line tile installation and surface treatment products is donating all of the thinset and grout for the project, including custom grout tints, so each heart will be grouted in its corresponding color, making the rainbow extra vibrant. Laticrete has been supportive of the mosaic community, often donating supplies for community projects and sponsoring the annual American Mosaic Summit.

Laticrete's Permacolor Select grout with custom purple tint!

This is the first mural, in Shelton, WA. Laticrete donated materials for this, and I smeared and blended the grout between the hearts. You can see how bright it is. (I still need to finish grouting later this month.)

One hiccup that has come up is that the Orlando Laticrete rep has urged us to have the paint removed from the wall before applying the hearts. Unfortunately, the quotes for sandblasting are more than we can afford to absorb. We are doing this project without a budget or any financial backing outside of a modest Go Fund Me effort, and while we have raised $3600 of the $5000 goal, we have had other expenses and can't cover the cost of paint removal. Cherie thinks she will have to grind off the paint behind each heart by hand, which will be extremely time consuming. The dedication is scheduled for September 21, so any help we can get with every aspect of the installation would be much appreciated.

If any readers have connections in Orlando and could help us figure out how to get the sandblasting sponsored or super-discounted, it sure would help. 

Still, I am flying to Orlando for the dedication on September 21, and it is going to happen! While there, I'll be teaching a workshop on Precision Glass Cutting for Mosaic at Luna Mosaic Arts that weekend, and there are still a few openings, so consider joining us if you are a mosaic artist interested in adding stained glass to your repertoire, or gaining more control of the material.

And one more reminder: Please share our online fundraiser to your community or to anyone you know who agrees strongly that the LGBTQIA community should not have to live in fear for their lives because of their gender presentation or who they love.  Thank you!!

https://www.gofundme.com/DiversityMural

New Mosaic Artwork in Bellingham, WA

During the Memorial Day weekend, I put in 41 hours installing mosaic along Maplewood Ave. in Bellingham, WA between Shuksan Middle School and the intersection of Maplewood and Birchwood. There are two horizontal sidewalk inlays, one near the intersection and the other near the school. On the other side of the street are three vertical projects on concrete light post bases.

These are the light post bases, designed by kids during a community event in Squalicum Creek Park last summer. I rolled out butcher paper and asked kids to draw themselves and critters that one might find in a garden. Then I spent about 6 months re-creating their designs in mosaic.

Here is an example of an original drawing (one of my favorites.)

And this is the same face in mosaic. (The eyelashes are there, but I used groutlines.)

 The sidewalk inlays began as several designs that were presented to the community and voted on. They went with mandalas featuring Pacific NW species. My favorite is the one with Blue Herons, salmon, Skunk Cabbage, the Cascades and Birch trees (located close to Birchwood Ave.)

This one is brighter, with a spring theme. There are some glass butterflies and dragonflies mixed in as well.

The second mandala features otters in the center, Sword Ferns, eagles, the Cascades and Maple trees (for Maplewood Ave.) This one is more Fall themed and feels a bit more subdued.

Usually, my projects are at least partially grouted when I install them, but this project had different circumstances and I underestimated the time it would take to complete 125 s.f. of mosaic by myself. Luckily, I had some great helpers come to my rescue.

My friend and sometimes-assistant, Tara, loaned me her Kia Soul, which had enough room to pack all of these mosaic panels, installation supplies, a fold-out canopy, and my personal belongings.

Mount Bakery owner Vince Lalonde provided my breakfast on three mornings, which was so hearty (and delicious) that it got me all the way through each day, which was amazing because I didn't have time to stop until about 9pm each night, and I was too tired to eat then. He also loaded up his van with 5 gallon buckets of water and dropped a few of them at each project site, and this was a life saver. Vince owns and manages the two locations of Mount Bakery (downtown and Fairhaven) and is a very busy guy, so I can't thank him enough for taking time out to help me. And the food! So good.

Theresa, a woman who lives on the block, and her son Langston, helped me grout for two days. (Langston played nearby most of the time, but he helped here and there, and was a good conversationalist.) I really enjoyed spending time with them, and the help was awesome.

I want to also mention that I love the Birchwood Neighborhood! This has to be the most diverse neighborhood I've ever spent time in, which seems very strange to find in Bellingham of all places. The people who stopped to talk with me were from all persuasions, wearing different ethnic and religious clothing, speaking different languages, and appearing to be from all different levels of wealth and privilege. Everyone, without exception, was enthusiastic about the artwork. Doing public art closer to home, I have found that a large percentage of the community resents seeing the new artwork, and they ask me if I'm being paid and if their taxes are being used for something so frivolous. Last weekend, people were just delighted that the City would invest in their neighborhood, improving the street (there are new sidewalks, bike lanes and street lights - much safer for everyone.) Several people shocked me by saying, "I hope you are getting paid well for this!"

It was a very hard weekend, and my body is still recovering, but it was also extremely rewarding. If you happen to be in Bellingham, now or in the future, swing by Maplewood Avenue and take a closer look.

Joanne Daschel, Environmental Mosaic Artist

Last week, I started writing about some of the creative people in my social circle who inspire me. Each day, I look forward to checking my facebook and instagram feeds because they are filled with posts about art and nature, and it uplifts and motivates me.

Today's blog post is about Joanne Daschel. I first met Joanne while teaching a workshop in Hillsboro, Oregon on precision glass cutting for mosaic. There were about 20 students, and Joanne was quiet and needed very little help. She was a quick learner and brought her own style to the project, so she knew what she wanted to do. I spent a lot more time helping other students, but I noticed that Joanne was already skilled in the medium.

This is Joanne in that first class, having cut a narrow, inverted curve that would become part of a peach.

I think it was during that first meeting that Joanne told me about The Sitka Center for Art and Ecology, where she works part-time. She suggested I teach a workshop there, so we corresponded afterward and within about a year, I did get on the Sitka schedule. The class filled up right away, and I was happy to see that Joanne was one of my students again. This time, I taught a glass-on-glass workshop, where students made a translucent mosaic on a reclaimed window.

This was Joanne's window! It still hangs in her studio.

I spent 3 days in Lincoln City, OR while teaching the workshop, and Joanne was a great host, taking me around to meet local artists, showing me the good places to eat and drink, and showing off the amazingly beautiful landscape on that part of the Oregon coast. Conversation flowed easily and we became good friends very quickly.

The view from Cascade Head.

Since then, I've taught each summer at Sitka, and there have been other opportunities to spend time together at workshops, art events and the SAMA conference. Joanne is funny, smart and insightful, and I learn something new and surprising about her every time we hang out. She is a very skilled artist. Examples of early drawings are on display in her house, and they are outstanding. Her work focuses on the natural world, including the food we eat. Joanne was landscaper until her body began to suffer. Now she balances her job at the Sitka Center where she is surrounded by artists and environmentalists who are teaching and learning, with her personal work in her awesome studio located in the Lincoln City Cultural Center.

Joanne teaches workshops and holds open studio hours, and she is constantly creating new work that celebrates the natural world and her connection to it. When Joanne isn't working at Sitka or in her studio, she's either in her own garden or hiking. When you see her work, you sense her passion for the things that sustain us.

I could keep gushing about Joanne, but I have a tendency to make my posts too lengthy. Be sure to look her up on social media to see more of her work. Right now, she's working on a series, making a 6" x 6" mosaic every day in tandem with painter Katia Kyte. These will be on display at the Chessman Gallery in Lincoln City, opening on August 10th. I'll be there! (I'm teaching a workshop on light and shadow in mosaic that week at Sitka.) It is worth a trip to this beautiful area. (*Also, we will both be at the reception for another version of the Chiaroscuro group exhibit in McMinnville the following evening, August 11. I'll post details as we get closer.)

More of us, for fun:

In Boston

Scott Fitzwater, Joanne Daschel, Jennifer Kuhns, Lynn Adamo, Mark Brody: the seeds of a collective were planted on this night.

St. Patty's Day, Boston

Lincoln City, secret trail

Joanne held open studios and generated 101 hearts for the first Diversity Mural!

Introducing Reham Aarti - Idaho Mosaic Artist

I am lucky to know so many amazing people! I'm going to start finding time to write a little bit about each of them here. Most of them are doing interesting, wonderful projects, and I want to help spread the word.

Today, let me introduce you to Reham Aarti:

In 2016, I was attending the annual American Mosaic Summit in San Diego, and a friend who works for the Washington State Arts Commission sent me a facebook message saying to keep an eye out for Reham. She thought we would hit it off. The only information I had was that she has blue hair. I mentioned it to my roommate, Krystie Rose.

Later that evening, when I returned to the room, Krystie Rose said, "Look who I found." And there was this adorable woman with blue hair sitting on the bed! A group of us were planning to head out for dinner. Reham had her own plans, to meet a family friend for a Mediterranean dinner. Reham was born and raised in Kuwait, and is an American citizen (no trace of an accent, even) living in Boise. The group was going to join forces with Reham and her friend, and we were all on our way to a Lebanese restaurant in two cars, when something came up for the other group and they turned back. I found myself out with two people I had only just met, and I felt a bit like a third wheel.

For about 10 minutes.

Reham and her friend spent the car ride talking about their experiences living through the Gulf War, and I learned that Reham had been active in the resistance, against her father's wishes. Conversationally, I had absolutely nothing to contribute, but it was fascinating to listen and learn. And by the time we were eating a humongous dinner (Reham's friend knew the owner, and we were served a lavish meal) I felt completely welcome. Reham is outgoing, warm, and hilarious. I felt extreme gratitude that I had gotten into her car so that I had a reason to get to know her better.

Wonder Wall, public art mosaic by Reham Aarti

As we shared pictures of our work, there was an immediate kinship. Our approaches are similar. We both love folk-arty aesthetics with bright, dynamic colors. We work in similar arenas, mixing private commissions with public art, and are just doing our best to keep finding and making mosaic to support our families, doing something we love. However, I have a partner who supports me. Reham is flying solo, raising two boys on an artist's income.

Reham has started using the Patreon platform to help fund more public art projects for Boise schools. Her particular focus is creating "buddy benches." Read more and consider contributing here: Reham Aarti on Patreon

If you love mosaic and/or public art and art for kids, keep an eye out for future projects by Reham!

Music Out Loud mosaic in honor of Verne Eke, by Jennifer Kuhns

On Saturday, April 28, there was a dedication for three new mosaic sidewalk inlays in Downtown Olympia as part of the Music Out Loud program. Each mosaic was designed by a different local artist in honor of a musician who has been influential in the development of Olympia's music scene. The City plans to expand on this program, creating more memorial public art pieces in the future, and also scheduling live music events on the sites.

You can learn more about the overall project, including watching how it was installed by the Belarde Company, here: https://youtu.be/2xkWOLaIdPk

That's me, speaking at the dedication.

At the dedication, I spoke to the gathered crowd, explaining Verne Eke's design concept. While the above video and other articles about Music Out Loud articulate the overall project and each of the musicians being honored, I thought it would be useful to write a post about this specific design.

Verne Eke's likeness in mosaic.

From speaking with Verne's friends, I learned that he was a dynamic and fun person, but he didn't strive for center stage. He played piano and conducted orchestras, and it sounds like he saw the potential in the people he knew and encouraged them to perform. He created opportunities for others to shine, putting on musicals and fundraising for new venues for performing arts and music. I made Verne Eke the central focus of this design in a literal way, with a portrait, because I felt it was his turn to take the spotlight.

Verne's friend and sidekick, Jim This, emphasized that the piano should be prominent, along with a reference to his role as a conductor of orchestras. So, I backed the portrait with a ribbon that is part piano, and part music.

Verne loved musicals, and I noted that Hello Dolly was one of the shows he put on. I attended a performance of Hello Dolly when I was 4 years old, and I never forgot it. It was a special experience for me. While working on the design, I had the main song in my head throughout. I looked up the music sheets from the song and used a note progression from the phrase "It's good to have you back where you belong..." Verne was the primary force behind the development of the Washington Center for Performing Arts. Everyone who was around Verne during that time period says the Center would not exist if not for Verne. Now his likeness is permanently installed right in front of the entrance, and the musical phrase in the mosaic speaks to that.

One last detail is the circle logo for the Washington Center. Because the mosaic is directly in front of the building, it seemed redundant to make this element too bold. However, this is a signature accomplishment of Verne Eke's, and he worked very hard to raise the money and lobby for it, so it is in the background, but in a similar color and value to the concrete to make it subtle.

It has been an honor and pleasure to work on this project. It is completely different from any of my previous public art works because I did not fabricate the mosaic or install it. I consulted with the fabricator to finalize details, and I wasn't even involved in the installation at all - very strange for me! But it was also nice to know it was in capable hands, and I had time to work on other projects with pressing deadlines instead. And now I have a public art mosaic in my own community, in a prominent location, and there's even a plaque with my name included! I actually have never had a client place a plaque in or adjacent to any of my work, giving credit to the artist until now, and it means a lot to me.

One more, showing the excellent fabrication work.

Spring Events for JK Mosaic

This is almost more for my sake than anything else. I am finding it hard to keep track of everything that is happening this year!

First, a reminder that I am featured in a new book about contemporary mosaic, curated and published by Jacqueline Iskander, called "Creations." You can purchase the book directly from her at this link:
https://www.j-mosaic.com/books/creations

It is also available on Amazon, but please know that far more of the proceeds will go to Jacqueline if the book is purchased through her. It is very well put together, with a wide variety of mosaic artists and lots of color photos.

Music Out Loud in Olympia:

A new set of mosaic sidewalk inlays were installed in downtown Olympia last week. The title of the series is "Music Out Loud" and each mosaic commemorates an influential Olympia musician who is no longer living. My design is in front of the Washington Center for Performing Arts and is a tribute to Verne Eke, who was instrumental in the development of a performing arts scene in Olympia. He was the force behind the opening of Harlequin Productions and the Washington Center, and was an avid musician, both orchestrating musicals and playing piano. 

I chose to render Verne in portrait form for my design because he was a behind-the-scenes guy, bringing musicals and performances to life, but not being in the spotlight. I felt it was his turn to be the focus. There is a ribbon behind him that transitions between musical notes and piano keys. This represents his primary instrument, and the fact that he worked with orchestras. The musical notes that I included are a short series from the song, "Hello Dolly," which seems to have been a favorite of Verne's. The notes were pulled from the section of the song that goes, "It's good to have you back where you belong." This felt sentimental and poignant, given that Verne put so much energy into creating a vital performing arts scene, and his likeness will now grace the front of the one venue in our Capital City that brings top-notch music and performance to Thurston County on a regular basis.

The celebration of this series of artworks will take place on Saturday, April 28 (2018) from noon to 2pm. Here is the announcement (which features my design before installation):

Next Up: Diversity Mural!

I've finally been given the go-ahead to start installing the Diversity Mural in Shelton this Friday! I can't wait to see this project becoming a reality. I don't know how long it will take, but I'll post an update when I have something to share.

In the meantime, we continue to collect hearts and donations for the second Diversity Mural in Orlando. Please help us by donating and/or sharing to your contacts: https://www.gofundme.com/DiversityMural

Secret Project:

I've been slowly creating a mural for an Olympia client. But, it's a surprise, so if I tell you about it I'll have to kill you. All will be revealed in Mid- to Late- May. Shhhhh!

Bellingham:

For the past year (plus) I've been working on a multi-part project for the City of Bellingham, and it is DONE. For now, it is stored in my big, old studio, awaiting installation. There have been some construction delays and weather has been a factor, but it looks like everything is lining up for a late-May installation. One part of this project is a set of sidewalk inlays that are mandalas featuring Pacific NW wildlife. The other is a set of vertical mosaics designed by local kids that will be located along the street most of the kids walk between school and home, with the sidewalk inlays on each end of this area. I am really looking forward to seeing these go into place.

This is one of the mandalas, made of matte glass tiles on fiberglass mesh.

Olympia Arts Walk:

Is your head spinning yet? Because mine is.

Olympia's Spring Arts Walk is on April 27 & 28 this year. If you haven't attended, it is one of my favorite events of the year! Downtown is largely closed off to traffic and there is music and performance in the streets. The businesses stay open late hosting local artists, and it is definitely the place to be. I'll be at Hot Toddy, in one of the front windows. Because the only new work I have is on display at Wallow Gallery in Carlton, OR as part of the Chiaroscuro group mosaic exhibit (and I won't make yet another paragraph about that) I am showing my papercut artwork, plus any work by the teens I teach in Shelton, if I can get them to rustle up some courage and let me put it on display! (They are resisting.) 

I recently had one of my papercuts transformed into a metal banner for the South Capital neighborhood. When you approach the Capital grounds coming off of I-5, my banner is just to the left, high up on a pole. The original papercut will be for sale during Arts Walk, along with a whole body of this work, which is mostly done using a Polish folk art technique called "Wycinanki" where the paper is folded while cutting, revealing a symmetrical design when unfolded.

Project to honor my Sister-in-Law:

This is a harder project to announce. Last month, my dear sister-in-law passed away very unexpectedly due to complications from a very simple, usually minor infection. She was a beloved kindergarten teacher in Palmdale, CA for 3 decades, and will be awarded Teacher of the Year posthumously. The school library is being dedicated to her, and when I learned of this, it occurred to me that I can create a mosaic portrait of her to be hung in the library. My idea was received enthusiastically and immediately, so as soon as I complete my current (secret) project, I will get started on this portrait, which will be part of my own healing process.

Oh, and one more:

Years ago, I had a foyer framed out onto my old, big studio to help keep rain and cold out. But it has been sitting unfinished and ugly, right in the driveway. I promised that I would make it pretty this year, finally, so I have mesh sections with a folk-art inspired mosaic in progress. I work on it now and then, between other tasks. I am determined to get it finished by fall.

*There is a whole separate list of other types of events, like workshops and travel coming up this summer, but I think I've probably lost most readers by now and I don't want to make this any longer than I have. If you made it this far, thank you for reading!  You can follow my progress on Instagram: @jenn.kuhns or on facebook: https://www.facebook.com/JenniferKuhnsMosaicI'm even trying to do Twitter: @jkmosaic
I hope to see you at one of the upcoming events!

A little video plug about our Diversity Mural Project:

*One correction: We won't be installing on the wall of Luna Mosaic Arts. Cherie is working on securing the perfect wall; something prominently located, in the area, with the right structural integrity and size, and collaborating with a business that is excited about the project.

Spring News!

Happy Spring!

I haven't been using this format much lately, partly because I have taken up Instagram and started sending out a newsletter, and those are a bit easier to manage. It's so hard to keep up with the marketing that keeps me connected with the world!

The last real post I wrote was about the Chiaroscuro exhibition back in December 2017. A group of NW mosaic artists has formed a collective, and we held our first group show in Lincoln City, OR. The show was a huge success, and we have since hung a new version of the exhibit at Wallow Gallery in Carlton, OR. One member of the group (Jo Braun) has moved away and we have added a new member, Todd Campbell. The artists live throughout Oregon and Washington and the variety of materials, style and technique in this show is stunning.

Throughout 2017, I worked steadily on a big project for the City of Bellingham. It is now in the final stages and will be installed in late spring in the Birchwood neighborhood. I'll post pictures when it is completed.

Another project I've been coordinating all year is the Diversity Mural for Choice High School in Shelton, WA. I work with at-risk teens at the school on Fridays, and we have been making hearts for a mural in class and with local community (Shelton, Olympia and Tacoma.) Through social media, word spread, and at least half of the hearts we have collected are from around the country, plus Canada, Scotland and Australia! This mural is nearly ready to install, now that the weather is warmer and dryer.

Very recently, I teamed up with mosaic artist Cherie Bosela, owner of Luna Mosaic Arts in Orlando, FL. We have launched a second version of the mural, to be installed in Orlando in memory of Pulse Nightclub. Hearts have been arriving at Luna Mosaic Arts, and we are working to secure a wall. We have a fundraiser in progress to pay for installation costs at: https://www.GoFundMe.com/DiversityMural.  Please help us to make this mural a reality!

Another piece of news is that I've been included in a new book about contemporary mosaic called "Creations" curated by Jacqueline Iskander. It is available on Amazon, but it can also be purchased directly from Jacqueline's website: https://www.j-mosaic.com/books/creations

There are upcoming project installations that I'll post about closer to completion. One date is set: April 28th noon to 2pm, people will gather to walk around downtown Olympia to see the new mosaic sidewalk inlays for Music Out Loud. I believe mine will be last on the tour in front of the Washington Center for the Performing Arts. Consider joining us!

(I'll also have work on display at Hot Toddy during Arts Walk. And my MOM will be there, so please show up and make me look like a grand success!)

Now, go outside!

Instructions for Making Mosaic Hearts for Diversity Mural:

Here are the detailed instructions for making a mosaic heart to include in the Diversity Mural project:

To participate, you will need a piece of fiberglass mesh, plastic sheet or freezer paper (or similar plastic-coated paper), and a thin board or cardboard.

-With plastic coated paper, draw your heart onto it. Otherwise, place a heart shape under clear plastic. (You can use a plastic bag, contact paper, or similar. I encourage re-use!) Do NOT use saran wrap or wax paper.

-Tape everything in place onto a thin board or piece of cardboard.

-Tape a piece of fiberglass mesh over the plastic with the heart shape showing through. *Fiberglass mesh can be purchased from a mosaic supply store, or in bulk from a hardware store, from the stucco section. Hardware store mesh is thinner and has a sticky side. This can be nice to work on as it stays in place over your design. To be clear, do not use the sticky surface to attach your tesserae. I place the sticky side down onto the plastic.

-THINSET IS THE PREFERRED ADHESIVE to attach mosaic to mesh for an exterior project like this. If you use good thinset, it will be a solid hold that will grab the mortar when we install. Weldbond is a second choice that I usually recommend for beginners, but it results in a thin, water-soluble membrane between tesserae and mortar, which is not ideal. If you use weldbond, please be sparing so that the thinset can grab tesserae - but use enough so that the pieces don't fall off during shipping.

-Tesserae needs to be exterior grade: stained glass, glass tile, sealed mirror, stone, high-fired tile, and other solid material. If your piece is highly textured or has a lot of tiny pieces (beads, ball chain, etc.) these may end up buried in grout. We will be working fast during installation and might not have time to dig out detail work.

-Each heart MUST be done in ONE color of the rainbow. There can be minor elements in other colors, different shades of one color, and adjacent rainbow colors can be mixed. But in order to achieve a rainbow, it is vital that each heart be in one of the following colors: Red, orange, yellow, green, blue or purple. No pink, please. No multi-colored hearts. They will not be included. Please send a message to tell us what color you plan to use. As the project progresses, we will keep track to make sure we get relatively equal numbers of each color. (There is a helpful poll pinned to the top of the group page on fb.)

-Hearts can be varying sizes, from 2" - 10" (or 51mm - .25m). In other words, you can send us a bunch of small fused glass or ceramic hearts, which will fit in spaces between larger hearts. Any heart shape is also acceptable. You can embed messages in the hearts, or images. You can commemorate a person. Please keep all messages positive. Angry and negative messages will not be included. Avoid a message specific to this administration that may not be relevant in 20 years. Statements like "Never Again" "Love Wins" or similar are fine.

Hearts from Marla Franz - Note design elements within monochromatic scheme and large pieces that will be easy to install and grout.

-Again: keep us posted on who is participating, and what you will be sending. This will help us to make sure the outcome is successful. We will post updates as well, letting you know if we need more of a certain color (no one wants to do yellow or orange, as it turns out.)

-Florida folks: Cherie will need volunteers to help prep hearts before installation. This will involve trimming mesh, replacing missing pieces, and sorting by color. Easy and fun!

-Alright, let's get this party started! We are shooting for June as the deadline, but this may change. Life is unpredictable! *Update: after brainstorming in person in Boston, we think fall is a better time to install. Summer will be too hot and wet, and we want to give ourselves enough time for a successful project.

-Pack in something flat. It seems to work well to leave the heart on the cardboard it was made on, then place another piece of cardboard on top, then tape the edges so it's sandwiched between. If you have a group or make hearts with your students, feel free to stack this way and send in one box.
Send to Luna Mosaic Arts, 813 Virginia Dr., Orlando, FL, 32803, USA

I can't wait to find out what is in this box from Al Turner in the U.K.!

Please share info about the project with any lists or feeds you think are appropriate, and include a link to our fundraiser: https://www.gofundme.com/DiversityMural  We need funds to pay for installation costs, including flying me (Jenn) to Orlando for at least the beginning of the process. You can also copy & paste our flyer: